Lucia Cesaroni. © Tim Leyes. Lucia Cesaroni. © Kelly Semkiw. Lucia Cesaroni as Barbarina in Le nozze di Figaro, Opera Hamilton, 2010. © Peter Oleskevich. Lucia Cesaroni as Anne Trulove and Colin Ainsworth as Tom Rakewell in The Rake's Progress, POV 2009. © David Cooper. Lucia Cesaroni as Susanna and Andrew Tees as Figaro in Le nozze di Figaro, Opera York, 2006. Lucia Cesaroni as Adina in L'elisir d'amore, University of Toronto, 2007. © Michael Cooper. Lucia Cesaroni as Susanna and Andrew Tees as Figaro in Le nozze di Figaro, Opera York, 2006.

biography

fter sev­eral suc­cess­ful sea­sons at home and ab­road, Can­adian sop­rano Lucia Ces­aroni joins l'Opera de Mon­tréal's At­elier Ly­rique train­ing pro­gram for the 2011/12 sea­son. At l'Opera de Mont­réal, Lucia performs Laurette in Bizet's Docteur Miracle, following which she makes her debut with Van­couver Opera as Maria in West Side Story. In con­cert, Lucia per­forms Han­del's Mes­siah with the Mont­real Symph­ony Or­ch­estra un­der Kent Na­gano and with the Vic­toria Sym­phony Or­ch­estra un­der Tim­othy Ver­non.

   Her opera credits include: Anne Tru­love in The Rake's Pro­gress and First Lady in Die Zauber­flöte with Pacific Opera Victoria; Cleopatra in Giulio Cesare with Orch­estra London; Susanna and Bar­barina in Le nozze di Figaro with Opera York and Opera Ham­ilton, respect­ively; Adele in Die Fledermaus with Toronto Operetta Theatre; Pamina in Die Zauber­flöte, Susannah in Le nozze di Figaro, and Lucy in The Tele­phone with the Inter­national Vocal Arts Inst­itute; Adina in L'elisir d'amore with the Centre for Opera Studies in Italy; Rooster in Cunning Little Vixen with the Aspen Music Festival, and; Adina in L'elisir d'amore, Lucia in The Rape of Luc­retia, and Ginevra in Ariodante with the Univer­sity of Toronto Opera Division.

   In concert, Lucia has performed at the Ravinia Festival, the Alde­burgh Music Fes­tival, and as soprano soloist for the Royal Phil­harmonic Orchestra's European tour of Orff's Carmina Burana. Her concert reper­toire also includes: Mendel­ssohn's Lobgesang, Bruck­ner's Te Deum, Ginastera's Cantata Para Ameri­cana Magica, Vivaldi's Gloria, Schu­bert's Shepherd on the Rock and Villa Lobos' Bacchiana Brasil­ieras. A frequent recital­ist, Lucia appears regularly with The Bay­field Fes­tival of Song, The Alde­burgh Connection, and the Off-Centre Music Salon at the Glenn Gould Studio.

   Lucia holds a Masters Degree in Opera from the Univer­sity of Toronto and also spent a year in Ger­many at the Hoch­schule für Musik Nürn­burg with renowned soprano Edith Wiens. She has trained at the Steans Music Institute at the Ravinia Festival, the Britten Pears Young Artist Pro­gramme at the Alde­burgh Music Festival, the Aspen Music Festival, the Chautauqua Music Festival, the Centre for Opera Studies in Italy, and the Inter­national Vocal Arts Institute's training programs in Tel Aviv and Montreal.

calendar

  • 2007
  • 2008
  • 2009
  • 2010
  • 2011
  • 2012
  • Royal Philharmonic Orchestra

    Carmina Burana (Orff)
    Conductor: Walter Haupt
    Venues: O2 Arena, London; Colorline Arena, Hamburg; O2 World Arena Berlin
    January - March 2009

  • Pacific Opera Victoria

    Die Zauberflöte | Erste Dame
    Conductor: Timothy Vernon
    Director: Glynis Leyshon
    April 16 - 27, 2009

  • Off Centre Music Salon

    Concert | Zarzuela and Spanish Song
    Pianists: Boris & Ina Zarankin
    Venue: Glenn Gould Studio
    April 2009

  • Orchestra London

    Die Zauberflöte | Erste Dame
    Conductor: Timothy Vernon
    Director: Glynis Leyshon
    May 30 - June 6, 2009

  • Pacific Opera Victoria

    The Rake's Progress | Anne Trulove
    Conductor: Timothy Vernon
    Director: Glynis Leyshon
    November 12 - 20, 2009
  • Off Centre Music Salon

    Concert | Multiple Choice: Russian/Italian Salon
    Pianists: Boris & Ina Zarankin
    Venue: Glenn Gould Studio
    March 7, 2010

  • Aldeburgh Connection

    Concert | Toronto: A City of Villages
    Pianists: Stephen Ralls & Bruce Ubukata
    Venue: Walter Hall, Toronto
    May 2, 2010

  • Orchestra London

    Giulio Cesare in Egitto | Cleopatra
    Conductor: Timothy Vernon
    Director: Timothy Nelson
    June 2 - 6, 2010

  • International Vocal Arts Institute: Montreal

    The Telephone (Menotti) | Lucy
    Conductor: Lucy Arner
    Director: Josh Major
    August 14, 2010

  • Opera Hamilton

    Le nozze di Figaro | Susanna (cover), Barbarina
    Conductor: Gordon Gerrard
    Director: Brent Krysa
    October 21, 23, 2010

  • Opera IS

    Concert | Mozart Recital
    Pianists: Stephen Ralls & Bruce Ubukata
    November 7, 2010

  • Toronto Operetta Theatre

    Die Fledermaus | Adele
    Conductor: Derek Bate
    Director: Guilliermo Silva-Marin
    December 28, 2010 - January 9, 2011
  • Aldeburgh Connection

    Concert | A Country House Weekend: English Song
    Pianists: Stephen Ralls & Bruce Ubukata
    Venue: MacMillan Theatre, Toronto
    April 29, 2012

  • Saskatoon Opera

    Don Pasquale | Norina
    Conductor: Tad Biernacki
    Director: Maer Powell
    June 16, 18, 20, 22, 24, 2012

photos

repertoire

  • opera
  • concert
  • recital
  • Bernstein

    West Side Story | Maria

  • Britten

    The Rape of Lucretia | Lucia

  • Donizetti

    Don Pasquale | Norina
    L'elisir d'amore | Adina

  • Handel

    Ariodante | Ginevra
    Giulio Cesare in Egitto | Cleopatra

  • Janàcek

    Cunning Little Vixen | Rooster

  • Menotti

    The Telephone | Lucy

  • Mozart

    Così fan tutte | Despina
    Don Giovanni | Zerlina
    Le nozze di Figaro | Susanna, Barbarina
    Idomeneo | Ilia
    Die Zauberflöte | Pamina, Papagena

  • Puccini

    Gianni Schicchi | Lauretta
    Suor Angelica | Suor Genvieve

  • Strauss, R.

    Der Rosenkavalier | Sophie

  • Stravinsky

    The Rake's Progress | Anne Trulove

  • Verdi

    Aida | High Priestess
    Rigoletto | Gilda
  • Bruckner

    Te Deum

  • Handel

    Messiah

  • Ginastera

    Cantata Americana Magica

  • Mendelssohn

    Symphony No.2 (Lobesgesang)

  • Mozart

    Mass in C Minor

  • Orff

    Carmina Burana

  • Schubert

    Shepherd on the Rock

  • Villa-Lobos

    Bacchianas Brasilieras

  • Vivaldi

    Gloria
  • Argento

    Six Elizabethan Songs

  • Beckwith

    A Man and His Flute

  • Britten

    On This Island, op.11

  • Copland

    Twelve Poems of Emily Dickinson

  • Debussy

    Ariettes Oubliés

  • Garant

    Cage d'Oiseau

  • Granados

    Canciones Amatorias

  • Greer

    Studies and Rambles of Wasagewanoqua (selections)

  • Finzi

    Dies Natalis

  • Hoiby

    The Serpent

  • Obradors

    Canciones Clasicas Espanoles

  • Poulenc

    Fiançailles Pour Rire

  • Raminsh

    Three Spanish Lyrics

  • Ravel

    Chants Populaires

  • Rodrigo

    Cuatro Madrigales Amatorios

  • Wolf

    Mörike Lieder

press

  • reviews
  • press kit
  • West Side Story - October 2011

    "Soprano Lucia Cesaroni is perfectly cast as Maria. A fiery and convincing actress, Cesaroni the singer has a rich, dark voice and a vocal maturity that makes her do-or-die passion obvious."
    —David Gordon Duke, Vancouver Sun

    "Cesaroni looks and sounds the part of the newly-arrived Maria, innocent and charming, and her voice has attractive dark undertones that give her a hint of otherness."
    —Elissa Poole, Globe and Mail

    Interview: Vancouver Opera dons its dancing shoes for West Side Story
    —Jessica Werb, straight.com


  • Giulio Cesare - June 2010

    "Lucia Cesaroni is a stunning Cleopatra. Her voice has just enough wildness to lift the impulsive nature of the youthful character to that intangible level that separates good from great...'V'adoro pupille', which opened the second act was ravishing."
    —Brian Hay, norules-nolights.com

    "Cesaroni's is an artfully complex Cleopatra...[she] certainly knows how to hit just the right note."
    —James Reaney, London Free Press


  • The Rake's Progress - November 2009

    "Lucia Cesaroni's Anne is true in pitch, lovely in sound."
    —Elissa Poole, Globe and Mail

    "The voice of the young soprano Lucia Cesaroni at first seems larger, deeper, more mature than one might expect in the role of Anne Trulove...As the story unfolds, the richness of Cesaroni's voice pays dramatic dividends, underscoring Anne's depth and passion and growth as a person. The strength of Anne's resolve is palpable in a commanding account of her cabaletta which culminates in a hall-filling high C."
    —Kevin Bazzana, Victoria Times Colonist

    "At the tender age of 26, and less than two years out of her schooling, Lucia Cesaroni looked and sounded just like Anne Trulove as Stravinsky and his librettists W.H. Auden and Chester Kallman must have conceived her - sweet, loyal, lyrical, and totally grounded in her sincerity and seriousness."
    —Bernard Jacobson, Opera Magazine (UK)


  • Carmina Burana - January 2009

    “The real star was the music itself with the Royal Philharmonic playing its socks off for conductor Walter Haupt and his soloists...in the pure-toned soprano from Canada, Lucia Cesaroni.”
    —Jessica Duchen, The Independent (UK)


  • Ariodante - March 2008

    “Soprano Lucia Cesaroni as Ginevra showed a thrilling voice replete with a seductive vibrato throughout”
    —Paula Citron, Classical 96.3 FM


  • Bel Canto Salon (Off Centre Music) - March 2008

    “Soprano Lucia Cesaroni is still at opera school but is a talent to watch. She is a lyric soprano with a delectable old-fashioned sound and beautiful legato line.”
    —Paula Citron, Classical 96.3 FM

listen

watch

contact

Lucia is represented by:


DEAN ARTISTS MANAGEMENT

Carrol Anne Curry, Opera Division
Henry Ingram, Concert Division

204 St. George Street
Toronto, ON M5R 2N5
Phone: 416.969.7300
Fax: 416.969.7969
www.deanartists.com


To contact Lucia directly, please click here.